Theatre Can be a Dirty Business

Andy Rassler • May 5, 2025

Theatre Can Be a Dirty Business

 The actor in the spotlight sings a show-stopping number as beautiful chorus members execute stunning choreography and bring the house down. This is one side of the business of theatre—the magical side, the clean and beautiful ‘there’s-no-business-like-show-business’ side. There is another side, though - a dirty, dusty, grimy, gross side. And I have witnessed this side many, many times in my decades of work in community theatre.



 I have seen volunteers, people who are being paid NOTHING, crawl through the murky underside of OCT’s stage (yes, there is a crawl space under our stage!) to investigate an electrical issue. I have seen them shovel tens of hundreds of pounds of plaster they’ve removed from our ceilings and walls into wheelbarrows and roll them out to the dumpster. I have seen them vacuum carpets, mop floors, scrub toilets, haul scrap set pieces, put up set walls, take down set walls, paint, trim weeds, fix windows (and roofs, and ceilings, and…), wrangle loads of costumes, wash popcorn makers, and countless other grubby, mucky jobs. I’ve seen it, and I’ve done some of these things, too. Some. Definitely not all. Ish. I’m not going to lie: it can be really yucky work.



So, theatre can be a “dirty” business, and the people I’ve witnessed dive into this dirtiness do this, not because they are insane (well, not certifiably insane), but because they understand how important their contribution is. And their commitment and drive are contagious. Like the best and most beautiful virus you can imagine, this commitment and drive catches on, and then—before you know it—other people are spreading this beautiful virus to even more people…and creating a passionately “infected” COMMUNITY. The dirty work gets done, and the people doing the dirty work have found that the work they are doing is building a foundation for the transformative things that happen on the stage. Somehow, everyone’s got the virus, and no one wants to be cured. Everyone wants to dig in and ‘get dirty’ because it makes their lives better. This ‘dirty’ work has been fundamental in building friendships, supporting passions, and making this little corner of Spring and Grove a more magnificent place.   




Theatre can be a very, very dirty business with very, very (but not certifiable!) crazy people. But there truly is no business like show business. It is all completely worth it. Let’s hope there is no cure.


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Old Courthouse Theatre Celebrates 49th Season at Annual Gala Honoring Outstanding Performances and Technical Excellence in Community Theatre Concord, N.C., June 19, 2025 — Old Courthouse Theatre (OCT), Concord’s premier community theatre, hosted its annual gala this past weekend, capping off its 49th season with an evening of celebration, recognition, and community spirit. The event honored standout performances and exceptional design work, as voted on by season ticket holders, and the volunteers who bring live theater to life on the OCT stage. Arsenic and Old Lace , directed by Stuart Jonap, took home top honors for Best Show as well as technical awards Best Set Design (Roger Watson) and Best Costume Design (Kim Baysinger). Other awards for OCT’s five mainstage productions included: Best Lighting Design : Lee Franklin ( Cabaret ) Best Sound Design : Jon Kadela ( Miracle on 34th Street The Musical ) Best Actor : Wesley Scott as “Kris Kringle” ( Miracle on 34th Street The Musical ) Best Actress : Lindsey Litka-Montes as “Sally Bowles” ( Cabaret ) Best Supporting Actor : Nathan Brooks as “Marvin Shellhammer” ( Miracle on 34th Street The Musical ) Best Supporting Actress : Kara Barnette as “Dr. Herman Einstein” ( Arsenic and Old Lace ) Best Featured Performer : Marc Anderson as “Officer O’Hara” ( Arsenic and Old Lace ) Best Cameo : Herchelle Smith “Mr. Witherspoon” ( Arsenic and Old Lace ) Best Featured Youth Performer : Chloe Weathers as “Susan Walker” ( Miracle on 34th Street The Musical ) Best Youth Ensemble Member : Tyler Opel ( Miracle on 34th Street The Musical ) Favorite Newcomer was awarded in a tie to both Nathan Brooks and Lindsey Litka-Montes , each recognized for their dynamic debut performances. The evening also included the presentation of the People’s Choice Awards , celebrating fan favorites from the 2024–2025 season: Steel Magnolias : Rachel Mackall Arsenic and Old Lace : Linda Jones Miracle on 34th Street The Musical : Wesley Scott The Complete Works of William Shakespeare (Abridged) [Revised] : Kevin Leichman Cabaret : Lindsey Litka-Montes In addition, OCT’s newly renovated Black Box theater was named in honor of The Wilson Family, recognizing their exceptional service and nearly five decades of dedication to OCT. Finally, OCT recognized outstanding volunteers for their contribution and commitment to the theater: Wilson Family Volunteerism Award: The Garrido Family Mary Thompson Award for Volunteerism: Brian Rassler As Old Courthouse Theatre looks forward to its Golden Season, celebrating 50 years of delivering exceptional community theater to Concord, NC, and the surrounding neighborhoods, the gala served as a heartfelt reminder of the passion, talent and dedication within Concord’s vibrant arts community. For more information about OCT’s upcoming season and how to get involved, visit www.octconcord.com.